Description
Tracking a guitar or bass part live is a gamble: you’re chasing tone and performance at the same time, and one of them usually loses. The Radial Reamp JCR removes that trade-off. Capture a clean DI while the player focuses purely on feel, then route that recorded signal back through the JCR into any guitar or bass amp, mic it up, and print the tone later — on your schedule, with mics repositioned, different cabinets auditioned, or pedals patched in at will.
This is the current build of the Reamp circuit originally designed and patented by John Cuniberti, still built around his custom-wound, USA-made transformer for that same 100% passive signal path guitarists and engineers have relied on for decades. Radial’s version adds practical studio touches: independent XLR and 1/4″ TRS inputs, a variable output control to match amp input sensitivity, and a three-position filter for shaping the top end, warming the low end, or bypassing entirely for the unfiltered original tone. A built-in mute switch also lets you silence the output while repositioning mics or making adjustments, without touching cables.
Because tracks today can carry unlimited takes, re-amping has moved well past guitar duty — bass, keys, drums, even violin are regularly run back through amps and cabs to add character after the fact. It’s the kind of trick that quietly shows up on countless well-known recordings.
- Reintroduces prerecorded tracks to a guitar or bass amp for re-recording
- Built on John Cuniberti’s original patented Reamp circuit and custom transformer
- Fully passive, plug-and-play operation
- Frees up session time and opens creative tone-shaping options after the take
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